It couldn’t have anything to do with a film that is all Woke, features 3 characters who are simply unbelievable as action movies stars (Tom Holland of Spiderman is great, but, how would he do as an action movie star without super powers?), no sexy in sight (isn’t that what the Angels were about? Women kicking but and being strong and being Women?), and, did I mention that the characters were unbelievable?
Top right pic: anyone scared? The Angel on the right looks like she’s in junior high. And then there was all the Wokeness. Anyhow
(Digital Spy) Charlie’s Angels’ own writer-director Elizabeth Banks herself has officially sounded the death knell: the soft reboot starring Kristen Stewart is officially a flop. On a budget of $48 million, Charlie’s Angels earned only $8.6 million over its US opening weekend. Ouch.
There is a multitude of factors contributing to the box-office success of a movie, and there is an argument that a film’s receipts have no bearing on its critical, or cultural, merits. Unfortunately, the world at large sees bad box office performance as the direct result of a bad film.
A perfect example of this is Terminator: Dark Fate, which underperformed at the box office despite being a solid action film in a franchise beloved by many. All the factors were ripe for success, yet it petered out at under $300 million worldwide.
Unlike the Terminator franchise, which has had many failed sequels and reboots before, Charlie’s Angels has enjoyed a relatively positive spotlight in pop culture. Even the 2000s reboot, which has not aged well, is still looked back upon with rose-tinted glasses by many.
So what went wrong for Elizabeth Banks and her new angels Kristen Stewart, Naomi Scott and Ella Balinska? In our opinion: marketing.
Right, right. It goes on to proclaim that the market was all wrong. Perhaps it was that the actresses picked were wrong, everyone knew it was all Woke, and that it was just bad. Apparently, just like Terminator. But, let’s revisit a paragraph, the one which caught my eye in this whole thing
There is a multitude of factors contributing to the box-office success of a movie, and there is an argument that a film’s receipts have no bearing on its critical, or cultural, merits. Unfortunately, the world at large sees bad box office performance as the direct result of a bad film.
If you’re making an arthouse movie or something similar, well, sure, box office performance might not matter. But, they won’t show it in a big theater if the theater won’t make money. And, as stated so many times “Get woke, go broke.” Hollywood and the rest of the entertainment industry aren’t getting it. They’re putting out mediocre films as blockbusters (and a few actual big movies here and there), and the rest are pretty much almost straight to video. It’s barely worth going to the movies anymore.
And, let’s remember, The Joker, which was definitely not PC nor Woke, is the first R rated movie to bust a billion dollars.
Read: Latest Excuse Why Charlie’s Angels Failed? Marketing »